Thicker Than Water читать онлайн

Автор: Mike Carey
Обложка книги Thicker Than Water
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Открывайте «Thicker Than Water» и читайте — текст лежит здесь целиком, бесплатно, без регистраций и подтверждений номера. Жанр — Легкое чтение, Фэнтези, Городское фэнтези. Никаких обрезанных глав и предложений «оплати подписку, чтобы узнать, чем всё кончится»: книга представлена в том виде, в каком её написал Mike Carey.

Прежде чем нырять в первую главу, гляньте аннотацию или авторское предисловие — обычно там в двух абзацах понятно, о чём вообще речь, какой настрой и стоит ли это вашего вечера. Предисловие публикуем как есть, без редакторских пересказов от себя. Если описания пока нет или оно куцее — оставьте коммент, найдём и добавим.

Текст разбит на страницы: глазам так комфортнее, чем листать бесконечную ленту, и читается дольше без усталости. Место, где остановились, сохраняется автоматически — закрыли вкладку, вернулись через неделю, и страница откроется ровно та же. Шрифт регулируется, фон переключается между светлой и тёмной темой: вечером с тёмной экран меньше слепит, днём светлая привычнее.

Под книгой — отзывы тех, кто уже прочёл. Туда заглядывать полезно: иногда вылезают спорные смыслы, которые сам пропустил, иногда — категоричные «не моё, не тратьте время», и тоже информация. Дочитали «Thicker Than Water» — оставьте пару строк, кому-то это поможет решить.

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Межстрочный интервал

It was just that most of the rest of the country seemed to have had the money to repair some of the damage: through some mysterious combination of municipal incompetence and cheeky mop-top corruption, Liverpool never did.

By the punk era the war had been over for more than three decades, but about half the streets I knew had gaps in the rows of terraced houses where bombs had hit - and the substrate in these random spaces, underneath the burgeoning weeds and sparse earth, was shattered brick and slate. We had a word for those places: we called them débris, pronounced ‘deb-ree’.

We swam in ponds on the Walton Triangle that were not ponds at all but bomb craters, and on one memorable occasion when I was seven the whole of Breeze Hill was cordoned off for the best part of a day because an anomalous object had been found that some council functionary thought was an unexploded bomb. It turned out to be a hot-water tank of an esoteric design, but you really never knew.

The other kind of decay was different, because it moved and grew and shifted its outlines.

It was a disease that we were all sick with, and didn’t even know we were - the slow, inexorable decline of Liverpool’s fortunes as a port and an industrial megapolis, which closed factories and shipyards, threw families out onto the street or more usually caused them to disappear without explanation, and turned my father’s life, like the lives of most of the men he knew, into a complicated game of abstract strategy where the goal was to find some place where they were prepared to pay you a day’s wage for a day’s work before some other bastard found it first and shut you out.

As kids, we experienced both of these things - the war damage and the economic meltdown - as almost unmixed blessings. Bomb-sites and boarded-up factories were our adventure playgrounds: spaces that the adult world had abandoned in its wake and took no further interest in, so that we were free to annex and colonise. The battlefield where I clashed with Kenny Seddon was a case in point - and so were the weapons that we chose for our duel to the death.

But the reason why we became such bitter enemies was different. That came from me; from a third kind of decay that was mine and mine alone.

From as far back as I could remember, I lived in a city that was inhabited by the dead as well as the living. These communities existed side by side, and at first it was hard for me to tell them apart.